June 4, 2008

Charleston City Paper

Lindsay Koob

With emphatic, expert support from Villaume and Co., von Oeyen nailed this one down tight. He dealt brilliantly with Bartok’s knuckle-busting fingerwork, imposssibly fast octaves, and precarious hand…the crowd screamed and shouted until von Oeyen gave us an encore: an exquisitely nuanced rendition of Debussy’s ever popular Claire de Lune.

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